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  HIGH PRAISE FOR

  THE PIRATE’S DAUGHTER

  “WITH ITS INTRICATELY WOVEN PLOT AND RICH TAPESTRY OF LANDSCAPE AND PLACE, THE PIRATE’S DAUGHTER ACHIEVES THE RARE GOAL OF A NOVELIST OVERSTEPPING HIS DEBUT OUTING.”

  —New York Post

  “A SINISTER AND LUSTY ROMANTIC ADVENTURE propelled by fluid narrative style laced with disturbing undertones.… Intensely atmospheric, occasionally cynical, yet somehow timeless in its sensual tone, the book is a clever and intriguing balancing act, a fantasy with enough real-world roots to make it all seem as horribly plausible as it is wonderfully entertaining.”

  —Publishers Weekly

  “Girardi gives a new twist to high-seas piracy … [and] offers a frightening and all-too-possible vision of a near future.”

  —San Francisco Examiner & Chronicle

  “DIDN’T THINK AN OUT-AND-OUT ADVENTURE STORY COULD BE WELL-WRITTEN? THINK AGAIN.”

  —Dallas Morning News

  “COMPELLING … [The Pirate’s Daughter] combines the travel adventures of Gulliver with the charm of the people thrown together in Lord of the Flies.”

  —Arizona Daily Star

  “What I admire about Girardi is the exquisite manner with which he renders the melancholy of the physical world, and brings it to bear as a force acting on human aspiration. Very few fiction writers have his grasp of history, worn this lightly.”

  —Anthony Giardina, author of Men with Debts and A Boy’s Pretensions

  HIGH PRAISE FOR

  ROBERT GIRARDI’S PREVIOUS NOVEL,

  MADELEINE’S GHOST

  “A FAST, CAN’T-PUT-IT-DOWN READING EXPERIENCE … A vibrant gumbo of ghosts and gypsies, lovers and others.”

  —New Orleans Times Picayune

  “A REMARKABLE ACHIEVEMENT … part love story, part ghost story, always absorbing.… Girardi tells a satisfying, memorable tale with masterful skills.”

  —Los Angeles Times

  “[AN] ATMOSPHERIC, SWEET-NATURED FIRST NOVEL about the miraculous power of love … filled with a rich cast of supporting characters.”

  —San Francisco Chronicle

  “[GIRARDI] WEAVES A TALE THAT KEEPS YOU ON THE EDGE WELL INTO THE NIGHT.… After you pick this one up you’ll be waiting for more.”

  —New York Post

  “HAUNTING … AN ENGROSSING, FAST-PACED DEBUT that moves almost effortlessly between New York, New Orleans and the 19th-century South … Mr. Girardi deserves a round of applause for pulling off the incredible ending. Potentially unbelievable, in the writer’s capable hands, it is a sterling example of tight, finely honed storytelling.”

  —The Washington Times

  “A spirited debut deftly mingling past, present, and the vastly different worldviews of New Orleans and New York … Entrancing scenes and characters, exquisite timing, and a mausoleum full of plot twists make for a fluid and truly memorable delight.”

  —Kirkus Reviews

  “A FIRST NOVEL OF ASTONISHING ACCOMPLISHMENT … with startlingly few slips and a shimmering style … [Girardi] drives his tale along with sensuous prose.”

  —Publishers Weekly

  A Delta Book

  Published by

  Dell Publishing

  a division of

  Bantam Doubleday Dell Publishing Group, Inc.

  1540 Broadway

  New York, New York 10036

  Copyright © 1997 by Robert Girardi

  All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the Publisher, except where permitted by law. For information address Delacorte Press, New York, NY.

  The trademark Delta® is registered in the U.S. Patent and Trademark Office and in other countries.

  eISBN: 978-0-307-48955-5

  Reprinted by arrangement with Delacorte Press

  v3.1

  Contents

  Cover

  Title Page

  Copyright

  Epigraph

  PART ONE: THE EMPEROR, THE PAGE OF WANDS

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  PART TWO: ABOARD THE COMPOUND INTEREST

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  PART THREE: THE PIRATE’S DAUGHTER

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  PART FOUR: QUATRE SABLES

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  PART FIVE: THE DARK CONTINENT

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  PART SIX: BLOCKADE SQUADRON!

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  EPILOGUE: HOME AGAIN

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  … and in those for ever exiled waters, I had lost the miserable warping memories of traditions and of towns.

  —Herman Melville

  PART ONE

  THE

  EMPEROR,

  THE PAGE

  OF WANDS

  1

  Coming home from work one Monday evening in August, Wilson Lander found two tarot cards face up on a side street of the out-of-the-way neighborhood where he lived. They were the Emperor and the Page of Wands. In the peculiar light of that hour, the cards seemed to glow with hidden meaning, two bright rectangles against the dull brick pavement.

  Wilson paused, loosened his tie, bent toward them. The empty street ticked like a clock. The Emperor showed a stern white-bearded old man perched on a throne set against an arid mountainous landscape that looked like Africa. The Roman numeral IV floated in the sky over the head of this mysterious potentate. The Page of Wands was a young man wearing a red cloak and holding a wooden qua
rterstaff from which new leaves were sprouting. In the far distance, the same dry African-looking peaks.

  Wilson studied the cards for almost five minutes, a curious prickling at the back of his neck. He was not an irrational man, but a tragic childhood had colored his adult life with a pervasive sense of dread. Dread was a way of life for Wilson Lander. He breathed it in as air, he wore dread as other men wear underpants and socks, and so he took the tarot cards as a sign of terrible events to come. Almost without thinking, he scooped them up and put them in the breast pocket of his blazer.

  “This thing could mean good luck,” he announced to the blank facades of the warehouses, to the emulsion stink in the air. “Why the hell not? Luck can be good or bad just as easily …” But he was a man who did not usually talk to himself, and he did not believe his own bravado. How did the cards get there in the first place? During the day, the streets of the Rubicon District were full of tough, plaid-shirted truck drivers and factory workers in steel-toed boots—not the sort of men to be fooling around with superstitious nonsense. Dread sounded in Wilson’s head like a great bell ringing the Angelus.

  Later, in his small apartment overlooking the wharves of the Black Star Line in the Harvey Channel, Wilson tried to forget about the tarot cards. He drank a beer, watched the news, made himself a quesadilla and salad for dinner, and got into bed early, in his pajamas. The small bedroom pooled with fading blue light. The sense of dread was so strong now it made his stomach hurt. He lay sleepless for hours beneath the thin sheets, listening to the rattle of the air-conditioning unit in the window, imagining his mortality taking shape just beyond the thin membrane of mundane events. Growing claws, sprouting feathers and scales, a monster on the other side in the eschatological gloom.

  2

  The next day, Wilson called his girlfriend and told her he would not be coming to work.

  “What is it this time?” Andrea said, her voice tight through the crackle of her portable phone. “Another panic attack?”

  “Don’t ask me to explain,” Wilson said, not wanting to tell her about the tarot cards.

  “Because, you know, they make pills for anxiety. I read that anxiety comes from a buildup of the wrong kind of chemicals in the brain. You swallow one pill, and it lifts like a cloud.”

  “That’s just not true,” Wilson said.

  “I’m really worried about you,” Andrea said, softening a little. “You should go back to that therapist.”

  “Don’t start,” Wilson said.

  Andrea believed Wilson’s sense of dread was a sickness, like the flu, that could be cured through subtle alterations of brain chemistry with mood-altering drugs. He saw it as something far more spectacular, an epic curse borne through the generations: When Wilson was nine, his father perished in the famous wreck of the four forty-five, an overcrowded express train that derailed and plunged off the Trohog Bridge into the Potswahnamee River; less than a year later his mother was crushed to death in a bizarre accident. And there had been a great-uncle—the details were sketchy—who had gone to seek his fortune in the diamond mines of Peru a half century before and disappeared without a trace.

  “Just give me a day,” Wilson said. “I’ll be fine tomorrow.”

  A tense silence followed in which Wilson heard the faint computerized rattle of Andrea’s office and the traffic coming along Commerce Avenue and her even breath. At last she gave a sigh and a hard “Fine—see you first thing in the morning,” and hung up the phone.

  Andrea was Wilson’s employer as well as his lover. A junior vice-president at the Tea Exchange, a small but respected brokerage firm in the Financial Mile, she dealt in commodities futures on minerals at the bottom of the sea, on herds of cattle in Bolivia, on boatloads full of big blue tiger shrimp from the Marianas Trench, on silos of barley in the Ukraine—everything except tea. She had hired Wilson as her executive assistant the year before when he couldn’t find a job, but as everyone knows, professionalism and passion don’t mix. Things had been a little cool between them of late. The job was an act of kindness they both had come to regret.

  3

  Wilson ate a sober bowl of bran cereal for breakfast, dressed in unobtrusive gray clothes, and took the eleven o’clock bus over the bridge into the city.

  From Metropolitan Terminal, he walked up twenty blocks to an odd little store tucked away between a new French restaurant and a warehouse full of rubber bands in a dark canyon of a street, in a part of the city that was just becoming trendy. The store was marked only by an orange banner of a silhouetted witch on a broom. Its small display window contained a few ancient tomes with faded gilt bindings, ceramic canisters full of unspecified herbs, and, most remarkably, a dusty stuffed monkey wearing a fez and dressed in a red velvet robe embroidered with pentagrams and half-moons. The monkey bared blackened teeth at the passerby, its eyes were sewn shut, and mange or termites had eaten away half the fur, revealing shiny dark skin hard as asphalt.

  Wilson stared at this grisly relic through the grime-streaked glass. A police cruiser inched by along the curb behind him; a step van full of rubber bands bounced over a pothole. A yellow banner showing a bottle of wine and a clove of garlic flapped noisily above the French restaurant next door. New city ordinances enforced banners over any other kind of sign for this district, perhaps seeking to invoke an atmosphere of medieval trade guilds and painstaking handcraftsmanship. Then, Wilson noticed the reflection of his own face in the glass, worried, specter pale.

  The store formed a long, triangular cave that narrowed to a point at the back. A fat orange cat eyed Wilson from a pink pillow near the door as he stepped inside. On one wall hung cast iron cauldrons of different sizes, pewter charms in stapled Baggies, bundles of dried roots. Against the other wall, shelves of books with titles like Rune Casting Made Easy, Orgasming with the Goddess, Witchcraft and Lesbianism, Sorcery in 101 Easy Lessons. At the counter in the middle, a young woman sat balanced on a stool, painting her toenails. Wilson approached cautiously; he was the only customer. A loud, sonorous chanting vibrated from the sound system.

  “Excuse me, I was wondering if I could ask you a favor,” Wilson began.

  The young woman looked up, and Wilson forgot himself. She was very pretty, with sea green eyes and a tangle of windblown coppery hair. Her skin was tanned except for a raccoon mask of whiteness where sunglasses had been. Her lips were chapped. She wore a pair of white cotton drawstring pants and a hooded sweatshirt that read USS William Eaton over the left breast. She didn’t look at all like the kind of person you would expect to find working in a place like that. She looked like she belonged on the deck of a ship somewhere off the Cape Verde Islands as a fine salt spray washed over the gunwales and the sky went dark with storm.

  “O.K.,” the young woman said, frowning, “speak.”

  “Are you—do you … answer questions?” Wilson cast a helpless glance around at the love philters and voodoo dolls hanging from the ceiling.

  “Jungle Red,” the young woman said, screwing the cap back on the bottle of nail polish and waving it in his direction. “What do you think?” She held up her newly painted toes.

  “Nice,” Wilson said.

  “Don’t worry,” the woman said. “I can answer any questions you might have.”

  Wilson took the two tarot cards out of his pocket and laid them on the counter at right angles to each other. “I found them, like that, in the street on my way home.”

  “The Emperor, the Page of Wands,” she said. “Major Arcana, Minor Arcana.”

  “I don’t believe in any of this stuff, of course,” Wilson said, “but what the hell. Could mean something, right?”

  The young woman stared up at him for a long moment with her raccoon eyes. Wilson squirmed uncomfortably beneath this scrutiny. His intellect knew a couple of cards found on the street couldn’t predict the future, but his dread had other ideas.

  “O.K. I’ll need to find out a few things before I can give you an informed opinion,” the young woman said, nodding a
t the cards. “Your moon sign, your sun sign, your shoe size. Your likes and dislikes, your favorite color, the exact day, hour, and minute of your birth, whether you have any distinguishing marks on your body, whether you came out of the womb with a caul over your face or butt first.”

  “A caul?”

  “Yes. It’s a thin membrane of embryonic tissue that in a small percentage of births covers the newborn’s face when it emerges from the birth canal. A caul can mean that the child is marked by fate, that it has been signaled out for good luck or bad luck, but in either case certain sensitivities are bound to be inherent.”

  “A caul … I don’t know.”

  “Ask your mother.”

  “She’s dead.”

  “What about your father?”

  “He’s dead too,” Wilson said.

  “What did he do for a living?”

  “Is this relevant?” Wilson said.

  “Of course,” the young woman said. “Everything is relevant.”

  Wilson hesitated. “Actually, he was a gambler.”

  “Professional?” She suddenly looked interested. Her eyes flickered with a secret intelligence.

  “Yes,” Wilson said, slightly embarrassed.

  “Was he good?”

  Wilson shrugged. “He made money at it.”

  “How much money?”

  “Look …”

  “Are you a gambler too?”

  Wilson shook his head emphatically. “Not me. I work in an office.”

  “You’ve never gambled?” She seemed disappointed.

  “I’ve played a few hands of poker.”

  “Ever lost?”

  “Come to think of it, no.”

  The young woman smiled, and there was something behind the smile that Wilson found uncomfortable and thrilling at once, and there was a knot in his stomach when he looked at her that was not the dread at all.

  The woman pushed the cards around the glass counter with the tips of her fingers. Her brow wrinkled in concentration. Wilson could almost hear the gears working. “Let’s get on with this,” she said. “Can you tell me if you wear boxers or Jockeys?”